Give Phil Plait 31 minutes
Being an educator is not only getting the truth right, but there’s got to be an act of persuasion there as well. Persuasion isn’t always, “Here are the facts — you’re an idiot or you are not,” but, “Here are the facts and here is a sensitivity to your state of mind,” and it’s the facts plus the sensitivity, which convolved together, create impact. — Neil deGrasse Tyson to Richard Dawkins, 2006
You’re a busy person. But Phil Plait needs 31 minutes of your time.
Phil (of Bad Astronomy) gave a talk at TAM8 in July that is one of the most important and resonant messages I’ve heard in ages. It’s about being heard.
It’s an obsession of mine lately, this topic. I tried to write a simple blog post about it last year and ended up instead writing 11,000 words in an eight-month series of posts called “Can You Hear Me Now?” The thrust of that series, and of Phil’s talk, is that content is all well and good, and argument is lovely, but it’s all for nothing if we don’t think about how to get ourselves heard. And when it matters most, we’d better think not just about how tight our arguments are, but how to stand any chance of having them received on the other end.
This isn’t just about religion. It’s also about politics, social issues, alternative medicine, the paranormal — everything people get hot and bothered about. Discourse is nothing more than shouting down a well if we merely compose zingers for the applause of our stablemates and fail to create a receptive mind in the listeners we hope to persuade.
Neil deGrasse Tyson spoke to this in a rebuke to Richard Dawkins at Beyond Belief in 2006 (which Dawkins accepted with grace and good humor):
Tyson’s precise point is well-taken: “I felt you more than I heard you.” (Many other critiques of Dawkins, et al. are not, as I noted in 2007.)
Now Phil Plait has made a magnificent, deeply personal, effective and well-titled plea along the same lines. Please set aside 31 minutes at the end of your busy day to hear what he says.
But also note what he does NOT say. He doesn’t say that being heard requires us to respect the unrespectable, or bury our passion, or deny our convictions. He’s not calling for a moratorium on religious satire or political outrage, or I’d tell him to bugger off. I intend to continue treating ideas themselves with whatever respect or contempt they earn. But when it comes to discourse with our fellow mammals, the Tyson Equation nails it: facts plus sensitivity equals impact.
I’ve said too much. Take it Phil.
Phil Plait – Don’t Be A Dick from JREF on Vimeo.
Help bring IT’S ALIVE! to life
- August 10, 2010
- By Dale McGowan
- In action, Science, wonder
- 16
Remember BANG! The Universe Verse, the brilliantly conceived and illustrated comic book I blogged about in April, the one with the cartoon Einstein explaining the origin and development of the universe in verse? ‘Member?
Well a sequel is on its way. And to bring it to life, series creator Jamie Lu Dunbar needs a little help from his friends.
Jamie isn’t backed by a powerful international consortium of science comics moguls. He creates and publishes these beautiful things himself. And to make the second volume everything it needs to be, he needs a bit of venture capital.
Volume 1 was gorgeously illustrated in black and white. The setting was space, so that worked out just fine. But the second in the series, titled IT’S ALIVE!, is about the origin and evolution of life on Earth, so it’s crying out for full color. And producing spectacular four-color illustrations will require a wee upgrade in Jamie’s technology.
That’s where we come in. Jamie has set up a Kickstarter website with a five-minute video making his case and a button where we can chip in to help him create life. (If Jehovah had had a Kickstarter drive behind him, he might have managed a better design.)
Here’s the kicker: If Jamie raises the $5000 he needs, he will make the second book available as a free pdf on his website, just as he did for the first. He’s about a third of the way there. (Note: The Kickstarter site shows his goal as $1000. As Jamie’s text explains, that was only the first phase. The total needed is $5K, and we can help him get there, $5 and $10 and $20 at a time.)
Jamie’s work is clever and accessible and accurate and great fun. So let’s click through and help spark that primordial soup!
An EPIPHENOMenal blog
Ever wonder what college majors lead to the greatest decline in religiosity? (It’s not what you think.)
Does anxiety and insecurity lead to religion?
Why does Mormonism transplant so well overseas?
Do religious prompts increase racism?
Are relatively atheistic nations always healthier and happier?
Why are atheists more intelligent on average? (Again, not what you think.)
Did religion help create complex societies?
What kind of human stampede kills more people each year—sport-related, political, or religious?
And the question on everyone’s mind: What part did fornicating farm girls play in the rapid secularization of Britain?
This will be a short post. I’ve discovered a blog so fascinating and engaging that every blathering, pointless key stroke I add to the Internet now fills me with self-loathing.
Epiphenom: the science of religion and non-belief is a humanist blog that speaks my language. Its author is Tom Rees, a British medical writer and co-founding member of Humanists4Science. The blog consists of smart, engaging commentary on the intersection of science and religious belief /non-belief. And it has me nursing on my monitor in a way that must surely void the warranty.
So go. Turn away from my ridiculous parody of a blog. I’ve wasted enough of your time. Click on any link above and say hello to Tom.
Tooth and claw
- May 05, 2010
- By Dale McGowan
- In Atlanta, critical thinking, fear, humor, My kids, Parenting, Science
- 26
“Rachel and I can’t decide whether to go down to the creek or not.”
Our home north of Atlanta has a fantastic backyard. A little lawn near the house drops away dramatically into a wooded slope of sixty-foot trees before plunging to a creek at the property line.
After two years of admiring the creek from a distance, Erin (12) began to take a more active interest in the past year, spending long hours exploring it with friends. During the winter, they could retain the illusion that they were the only living things present. But spring has brought the return of tangible biodiversity, and in recent weeks, Erin’s least favorite living thing has re-appeared on the property — snakes. That’s what had her second-guessing her fantastic new pastime.
“What’s the problem?” I asked, knowing.
“Snakes.”
“Ah.”
“Seriously. What should we do?” She and Rachel sat on the couch, dramatically-knit tween foreheads fully deployed.
“You should go to your room and curl up in a ball on the floor.”
She switched to Unamused Tween Expression #4. “I’m sure you have a point.”
Silly thing to be sure of, knowing me as she does. But she was right.
“If your only goal is to be safe, it’s your best move. But if you want a good life, you need to spend some time figuring out which fears are worth having.”
“Snakes, Dad, duh. It’s a fear worth having.”
“Not if it isn’t going to happen.”
“But it might!”
She’s right. It might. But I want her to learn to balance risk and reward — to recognize that too manic an obsession with safety wrings all of la joie out of la vivre, that we too often worry about the wrong things anyway, and that a little knowledge can often do more than anything else to put fears in perspective.
Now — before we get to the part where I sagely assuage my daughter’s overblown fear, let me point out that I have fears of my own, that my family has lovely sport with those fears, and that they are wrong. My fears are sensibly directed at an awesome predator, one much larger than myself — the cow.
Okay. I can hear your self-righteous tittering. You know what, forget the word ‘cow.’ Cows are named ‘Bessie.’ Cows jump over the moon. Call them cattle and now who’s laughing? Cattle stampede, don’t they. Why yes they do. And when the bulls run in Pamplona, people run too. Like mad. And cows, you will surely know, have long been associated with human death. Mad cow disease? Look at the middle word. So don’t you sit there and jeer at me. Okay then.
(Back to my daughter’s baseless fears.)
It so happens that I had a quick chat with Google after our first snake sighting last year. “Did you know there are 41 types of snakes native to this part of the country?”
“That’s supposed to help?”
“…and that 35 of them are harmless, that only two of the remaining six venomous snakes are in this actual area, and that both of those have very distinctive patterns? Did the snakes you’ve seen have clear patterns?”
“No. They were just kind of grey. But it was hard to see because they were moving away so fast.”
“Moving where now?”
“Away.”
“Fast.”
“Yes.”
“To getting a running start at you?”
“Dad.”
I know where she’s coming from. We see something wicked in certain animals. Spiders scare us off our tuffets. Snakes hand us problematic apples. We invest them with a kind of evil agency. They WANT to be and do bad. And no matter how much I know about the natural world, I am aware of a tiny sliver of this nonsense, probably wedged in my midbrain somewhere, that still sees them this way. Even though it IS nonsense, it’s really hard to shake. Our conditioning runs deep.
But shaking it was the key to getting Erin back to the creek, and the key to shaking it was thinking adaptively. We had to pry loose the picture of the snake, bwahaha, looking for an opportunity to bite the 100 lb. primate. There’s just nothing in it for the snake — nothing, that is, but a very good chance of getting fatally danced upon. It’s simple selection. Those snakes with a tendency to bite for the evil fun of it wouldn’t generally live to pass on those bitey genes. Eventually you have yourself a population of snakes that will bite the hairless monkey only as a very last resort, e.g. when taken unawares.
I told her these things, and she nodded. “Hm.”
“You both want the same thing, so do yourself and the snake a favor. Make some noise as you approach the creek. Take a stick and rustle the leaves in front of you. Every snake will take off like a shot and have a great story for his friends tonight. If all else fails and you end up next to a snake, it is almost certainly not venomous. And if it is, it almost certainly won’t bite you. It will run like hell.”
“And if it is poisonous, and it does bite me?”
“We’re three minutes from a hospital, and they’ll give you an antivenin, and you’ll be fine.”
She pondered warily.
“And I’ll give you a hundred dollars.”
Big hug, and she was off for the creek, planning how to spend it.
What, Me Worry?
- April 22, 2010
- By Dale McGowan
- In critical thinking, death, fear, My kids, Science
- 16
Samuel Pepys had surgery to remove a bladder stone when he was twenty. He had seventeenth century surgery, the only type available in his day. Joseph Lister was busily pioneering antiseptic surgery less than a mile from where Pepys lay tied to the bedposts, but Lister refused to offer his new techniques to Pepys’ physician, using all the old excuses – “my techniques are too new, my methods are untested, I’m living two hundred years in the future,” blah, blah, blah.
The pioneers of anesthetic surgery were likewise unhelpfully unborn, but had the additional excuse of working in a whole different country. So Pepys’ doctor used what science he had: he got his patient drunk, tied his legs to the bedposts and stabbed and sawed away until, in a gush of blood and urine, out rolled a stone the size of a tennis ball.
Pepys survived the surgery, for some reason, and celebrated the removal of the stone each year with a party on the same March day. And each year at that party, in the center of the table of hors d’oeuvres, mounted in a stunning teak box, sat the guest of honor, the founder of the feast – the stone itself.
I had my gall bladder removed yesterday. Thanks to a hundred medical advances since the 17th century, I don’t even remember being tied to the bedposts. Four standard Band-aids now cover the relative pinholes through which a tiny camera and three tools were deployed to remove the mutinous thing. I was advised to avoid fried chicken for a while and sent home.
In the weeks leading up to the surgery, I had to decide whether to worry about dying on the table. There’s no such thing as minor surgery, of course. Google the phrase “routine gall bladder surgery” and you’ll find the phrase “what was supposed to be” pinned to the front of it, over and over, in articles on the deaths of Andy Warhol, Dan “Hoss Cartwright” Blocker, and Congressman John Murtha. Another gentleman was rendered paraplegic by the same surgery, and a woman sustained severe brain damage. It happens when one of the tools nicks the large intestine. Infection sets in, then sepsis, then, sometimes, death.
Connor (14) caught wind of these stories somehow — possibly by overhearing me — and began to worry about his dad. It was a great opportunity to chat about one of my all-time favorite insights: the news paradox.
I don’t even remember who first brought the news paradox to my attention, but when it comes to ramping down our collective paranoia, it’s hard to beat. There are countless real dangers in the world, things that have a high statistical likelihood of taking us out of the game. But those common killers (like car accidents and smoking) don’t make the news, because they are common. Something that actually hits the collective radar is uncommon by definition — otherwise it wouldn’t be newsworthy.
So a good rule of thumb: If you read about a threat in the newspaper or hear about it on TV (like terrorism or mad cow disease), you can generally relax. It’s almost certainly not going to find you. It’s those things you don’t hear about, those pedestrian everyday killers, that you should worry about.
Once I heard the names of the same three celebrity gall bladder victims for the fifth or sixth time — Andy Warhol, Dan Blocker, John Murtha — I knew the news paradox was in play and began to relax. When someone dies during open heart surgery, it’s sad, but it doesn’t shock. But when a handful of people go down after a “supposedly routine” operation, it leaps to the top of our consciousness.
Over 500,000 gall bladders are removed each year, 99.9 percent of them without incident. So yes, there was a risk, but the very newsworthiness of the times it went wrong comforted me. And my boy.
BANG! The Universe Verse
Oh I love this.
BANG! The Universe Verse Book 1 is unique comic book that illustrates scientific theories about the origin of the universe as Dr. Seuss might have done. Best of all, though it’s set in verse delivered by a cartoon Einstein, there’s no dumbing down of content. Instead, Jamie Dunbar has given the reader permission to not fully grasp it all. “This book is intended for all ages,” says the preface. “If you don’t understand everything, don’t worry, no one does!”
Amazing what a powerful sentence that is.
In other good news, it’s available FREE as a PDF direct from the author (email him here) or in a low-res version on his website. You can also download the e-book for $5 from his site or get the physical book for just ten bucks. (It’s also on Amazon for $15. Don’t buy it there, but if you like it, drop in and write a nice review.)
Penny wise
My kids are weirdly consistent in their vocational dreams. They flirt with various ideas, but they always end up whipping back to their respective Norths like compass needles. By the time I was ten, I’d already torn through a half-dozen intended vocations: paleontologist, stand-up comedian, astronaut, clarinetist…stuff like that.
For years, Connor (now 14) has had his eye on engineering, and has recently narrowed it to alternative energy engineering. Erin (now 12) has wanted a career in medicine since she was 8 and has recently narrowed that (through questions like “What do you call a person who studies the way the body works?”) to research physiology.
Delaney (8) has pretty much always wanted to be a scientist of some kind.
A few weeks ago, Erin hunched intently over the kitchen table with a dropper to see how many drops of water would fit on a penny. Cool science project from school involving estimates, observation, averages, graphing. Good stuff.
Delaney suggested expanding the parameters of the study to see if water temperature would affect the results. I was reading in the next room when a small brouhaha broke out between the researchers. As usual, Erin came tromping in to me with a look of righteous determination.
“Dad, Laney and I are doing an experiment to see if a penny holds the same amount of hot water as cold water.”
“And?”
“And I’m trying to tell Laney that we have to use the same penny for both, because one might be a little different, but she…”
“They’re both the same! Shiny 2009 pennies!” whined Laney from the doorway.
I walked into the laboratory and saw two shiny 2009 pennies sitting side by side on the table, waiting for further instructions.
I asked Erin why you need to use the same one.
“Because there might be tiny differences — little scratches or nicks that you can’t even see, but they might affect the water differently.”
“Variables.”
“Yeah, variables.” Erin looked mighty pleased with her middle-school sciency self. I was too. But I wanted Laney to learn a cool thing about her life’s work, not to feel defeated. I told her to imagine that I was a scientist designing a study to see if people with blue shirts could get things off high shelves more easily. I opened the kitchen cupboard and asked white-shirted Laney to grab a cup off the top shelf.
She gave me a fumey look.
Blue-shirted me reached up and brought down the cup. “Well there it is. I’ve learned that people with blue shirts”
“Dad”
“are better at”
“Dad”
“getting things down from”
“DAD!”
“What?”
“You’re taller.”
“I think it’s the shirt.”
“Then you’re a dork.”
“How can you figure out whether it was the shirt?”
“I just wouldn’t use a tall person at all! I’d get two people who were both…” She paused. “Normal.”
I told her she had just removed a variable. She got it.
“But you’re obviously tall. The pennies are exactly the same.”
I admitted that they might be, then motioned her into the basement. We looked at the pennies under our microscope. Sure enough, canyons and craters loomed.
By this time she’d thankfully forgotten that her big sister had ended up right. It was just cool.
The reluctant animal / Can you hear me now? 11
(The 11th in a series on effective communication. Full series here.)
Last September, I briefly mentioned a new CD by They Might Be Giants titled Here Comes Science. From the online samples alone I could tell that it was delicious and different. Now, after four months of family listening, it’s time to chat again.
One song in particular is so good in so many ways, I just had to give it its own blog moment. It’s terrific musically, catchy and inventive as hell, which makes it one of the few pieces on Earth I can hear more than a half dozen times without throwing a virgin into a volcano and jumping in after him. But it’s the lyrics that put My Brother the Ape in my Hall of Fame — and in the Can You Hear Me Now? blog series.
You can guess from the title that My Brother the Ape is about evolution, but it takes a different tack. In Parenting Beyond Belief I waxed on about how cool it is that we are literally related by common descent to all living things on Earth, cousins “not just of apes, but of the sequoia and the amoeba, of mosses and butterflies and blue whales” (p. 221). And it is world-changingly, paradigm-shiftingly cool — IF you can get yourself to let go of the concept of human specialness.
My Brother the Ape is sung from the perspective of someone who has trouble letting go and accepting his kinship with other animals. It starts with an invitation:
Well, I got the invitation that you sent to everyone
And I told you family picnics weren’t exactly my idea of fun
You replied that everyone but me said they were going to come
Which is how you talked me into going to the reunionWhen you said everyone, you really meant it
My brother the ape
My brother the ape
Most songwriters, myself included, would have sent the narrative voice to the reunion and had him dance and sing and frolic in the oneness of all life. The Giants go deeper. Even after the reunion, Narrative Voice is still not all that comfortable with things:
I received the photos you sent, and I don’t regret that I went
Or the sight of everybody stiffly posing under one tent
But I don’t feel I belong and I keep wanting to escape
And I fail to see the likeness between me and my brother the apeThey all kept saying how much we look alike
I don’t think that we look alike at all
He starts working it out, bit by bit — two steps forward, one step back:
But I’ll admit that I look more like a chimp
Than I look like my cousin the shrimp
Or my distant kin the lichens
Or the snowy egret or the moss
And I find it hard to recognize some relatives of ours
Like the rotifer, the sycamore, iguanas and sea starsMy brother the ape
My brother the ape
In the end, he begins to come around, though you can see it’s still going to take some getting used to:
They say you don’t get to choose your family
But there’s no other one to chooseSo that’s why I’m writing this now
And you can tell my sister the cow
That I meant to thank her for the gorgonzola, and I’ll allow
That I’ve been acting like a stranger, but you guys are all so strange
Though I think of what I’m like and I can see we’re all the sameSo this time next year, we’ll meet at my place
My brother the ape
My brother the ape
My girls (8 and 12) have latched onto this song in a big, big way. They sing it around the house, they request it as a bedtime song, over and over and over. And in the process, the message that we are related to every living thing sinks in, bringing wonder with it.
It’s not that my kids have ever been reluctant animals. We’ve underlined our place in the scheme of things since they were born. We point out that the trees in our backyard are related to them in exactly the same way their cousins are, except with a common ancestor millions of years further back than Grandma. We refer to our dog as our wolf and ourselves as her monkeys. So for my kids, the song is mainly a fun and catchy reminder of just how cool that is and how far the kinship goes — to lichens and starfish and beyond.
But for someone who has been raised with the notion that humans are specially created in the image of God to “rule over the fish of the sea and the birds of the air, over the livestock, over all the earth, and over all the creatures that move along the ground” (Gen 1:26) — or even coming from a pretty natural position of human chauvinism — evolution represents a serious demotion and a choking slice of humble pie.
A song that empathizes a bit with that reluctance can offer a place for the listener to stand, and sing, while they consider whether or not to come to the reunion.
Thinking selectively
When I (ever) get around to shooting the sixth YouTube video in the Parenting Beyond Belief series, it’ll be about teaching elementary age kids about evolution.
My advice in a nutshell? Don’t. (That’s why I don’t usually put my advice in nutshells.) [Added: Please note that this is a joke, apparently too subtle. The next sentence reverses it. See? All is well.]
What I mean, of course, is DO teach them about it — but do it in the same way you might teach an eight-year-old about a Shakespeare sonnet or a Bartok string quartet. I wouldn’t sit my second grader down in front of Bartok’s Fifth Quartet and expect her to plead, please oh please Daddy, for the Sixth. The trick is to lay a groundwork by exposing her to music of a hundred kinds, so that later, when she encounters Bartok, she’ll have the experience and the conceptual grounding to make her own informed judgment about it.
Appreciating Shakespeare starts with exposure not to Sonnet 138, but Green Eggs and Ham. (Or maybe a marriage of the two.) Get them savoring meter and wit itself, then they’ll step up into more and more subtle examples of it very naturally as their palate matures. To understand why Bartok and Shakespeare are so friggin’ incredible, it helps to have come across a thousand other examples of their arts to get a sense of what’s possible and what’s been tried. Then you can really savor what they achieved.
Evolution is another thing that’s best approached in sensible steps. It’s an immense, complex and subtle thing that takes place in achingly slow increments as random variation is acted upon by decidedly non-random selective pressures. It’s directional in the short term and directionless in the long term. It is heartless and wasteful and elegant all at once.
In my early teens, I had a very basic grasp of evolution — condensable I’m sure to 50 words or less, half of which were “very.” I majored in physical anthropology in college because I knew juuuust enough to know how much I didn’t know — and how very much I wanted to know it.
I was nineteen before I had a solid grasp of evolution, its evidence, its mechanism, and its astonishing implications.
Since my kids are on track to beat me in everything else — looks, personality, sports, general maturity and fashion sense — I figure I’ll do what I can to help them grasp the greatest realization in human history a lot earlier than I did. The key is to focus not on evolution first, but on natural selection, the much more graspable process that drives evolution.
I addressed this in Raising Freethinkers (pp 17-18):
Q: My six-year-old is fascinated by the natural world. I’ve tried to introduce her to the idea of evolution, but when I say, “A long time ago, apes turned into humans,” she squinches her face—and I know she’s picturing something pretty funny. How can I help her understand the long, slow, fascinating process of evolution?
A: By teaching it the same way evolution happens—in small steps over many years:
1. Draw her attention to adaptations. If I’m out on a walk in the woods with my own daughter and we see a deer with protective coloration, I’ll often say, “Look—you can barely see it! What if I was an animal trying to find a deer to eat? That one wouldn’t be very easy to find. And its babies would have the same coloring, so I’ll bet they’d be hard to find, too.”
2. Imagine a poor adaptation. “Hey, what if it was bright pink? I think I’d have a pink one for supper every night, they’d be so easy to catch.” I step on a twig and the deer bolts away. “Ooh, fast too! I’ll bet I’d have to eat slow pink ones every night. Soon there wouldn’t be any slow pink ones left because I’d have eaten them all!”
3. Move to natural selection, using a non-human example and a shortened timescale. Evolution itself requires thousands of generations and a massive timescale, so above the microbial level we can’t see it in action. But we can study natural selection, the mechanism by which evolution occurs. Once natural selection is understood, evolution is an inevitable consequence of the passage of time. And one creature in particular is just waiting in the wings, so to speak, to explain natural selection to our kids: the peppered moth. [See the Activities section in RF Chapter 1.]
4. Use analogy to teach the otherwise unimaginable timescale. Analogies can be difficult for very young kids, but once your child is able to handle that level of abstraction, there’s no better way to render the inconceivable conceivable. Saying a million Earths would fit inside the Sun is fine, but saying “If the Sun were a soccer ball, Earth would be a peppercorn”—now I get it. Same goes for time. Use either Sagan’s Cosmic Calendar or Dawkin’s armspan analogy.
That’s been our approach, and once in a while, I get a hint that it’s working. Two weeks ago during the Christmas break, Connor (14) was sitting bored, looking out our back window. Suddenly he said, “Dad! Plants don’t feel pain.”
We had a conversation long ago about the many remaining open questions — like whether dolphins are actually smarter than we are, to what extent other animals communicate with each other — and whether plants feel pain.
“How do you know they don’t?” I asked.
“There’d be no reason for them to evolve that,” he said. “Pain is a warning so you can get away from something like a predator, or take your hand out of the fire. But plants can’t move anyway, so pain wouldn’t be an advantage. It wouldn’t help one plant survive to reproduce more than another one. It would just…hurt.”
I reel a bit in moments like these. Never mind whether he’s right — I have no idea myself. The wonderful thing is that he’s thinking creatively and in the right terms. In this case, that means thinking “selectively.” With that grounding, once he encounters evolution in greater depth, it’ll slip on like a glove.
Is somebody watching Tim Minchin’s cholesterol?
- November 22, 2009
- By Dale McGowan
- In critical thinking, death, humor, Science, sex
- 44
I don’t fall in love as often as I used to. When I was young, I ran into something new to love every time I turned around. Like Kurt Vonnegut, like fresh guacamole. Like sex with others, like Richard Dawkins.
Like deeelicious sentential ambiguity.
I find myself falling in love a lot less often at middle age. I need to be surprised, and it’s hard to do that to me anymore. Everything seems derivative. That’s bad, because though some of my old loves (like sex and guacamole) have staying power, most lose their luster with time. I’m still friends with some of my early loves, like David Hume and Tower of Power, but we don’t bump uglies as much as we used to. I need new meat, and I go years at a time without finding anything worth stalking.
But in 2009 alone, I fell for three very promising things: coconut red curry beef, Radiolab, and Tim Minchin.
I don’t like the fact that the things I love are finite. Peek under the religious impulse and I think you’ll find that exact thing — an answer to the human yearning that shit be mortal and the good eternal. When I first recognized Radiolab as my soulmate, I downloaded the complete podcast archive of 63 shows. A few quick calculations later, I realized that 63 was a finite number and wept. I’m now halfway through that archive, and that realization still sniffles a bit every time I finish an episode. They’re making more, but too slowly.
My wife Becca is also said to be mortal. I’ve made her promise to outlive me, something that required less arm-twisting than I would have liked.
I’m not the only one in this house who hates impermanence. I blogged last year about my youngest, Delaney, hearing that Dr. Seuss was no longer alive:
Erin (9): Is he still alive?
Dad: Who?
Erin: Dr. Seuss.
Dad: Oh. No, he died about fifteen years ago, I think. But he had a good long life first.
As I continued reading, I suddenly became aware that Delaney (6) was very quietly sobbing.
Dad: Oh, sweetie, what’s the matter?
Delaney: Is anybody taking his place?
Dad: What do you mean, punkin?
Delaney: Is anybody taking Dr. Seuss’ place to write his books? (Begins a deep cry.) Because I love them so much, I don’t want him to be all-done!
I scanned the list of Seuss books on the back cover. “Hey, you know what?” I said. “We haven’t even read half of his books yet!”
Feeble, I know. So did she.
“But we will read them all!” she said. “And then there won’t be any more!” I had only moved the target, which didn’t solve the problem in the least.
Which brings me to Tim Minchin’s cholesterol.
Tim is a British-born Australian comedian who (like most great, original comedians) makes that word look flimsy and inadequate. I found him earlier this year through his nine-minute beat poem “Storm.” I listened to it, found it unbelievably smart and funny and posted it on the blog, and then let busyness keep me from finding and having my way with everything he has ever done.
Last week I came across “Storm” again, re-swooned at it, then downloaded the whole live CD on which it appears.
Holy Shi’ite.
If a 15-track CD — music, comedy, whatever — has three good, two great, and one brilliant track, I count myself lucky. Double each of those at least and you’ve got Tim Minchin’s CD Ready for This?
Since surprise is so much of the thrill, I won’t try to describe any of them specifically. I’ll just say that his vehicle is the comedy song, that his musical chops as both composer and piano performer are insane, and that his comic sensibility and intelligence make this some of the most densely rewarding comedy I have found in a long, long time looking.
It’s not all about surprise, though. Yesterday, while listening to one of the tracks in the car for the FOURTH time, I began laughing/crying so hard that I had to hand the steering wheel over to Isaac Newton for a minute. Listen to the developing intellectual and comic curve of this thing:
(I began to lose control at 2:20 and went over the cliff at 2:36. Thanks for the cards and letters.)
It goes on and on. But here’s the thing: Tim Minchin is going to die. I now have a vested interest in preventing this, or at least delaying it until after my own exit. That way I can cultivate the idea that it will be Tim Minchin who kills me in the end — me 85, driving; he 73, singing.
I had hoped for the same lifelong gift from David Foster Wallace, my favorite writer, who was exactly my age when clinical depression hung him from a rafter in his home last year. I’ll be needing Tim Minchin to stick around longer than that — at least twice as long as his great-great-great-great uncleses and auntses, as he would put it. That’s why I hope somebody is watching Tim’s cholesterol and holding his hand to cross the street (TIP: Traffic in the U.K. goes the wrong way!)
I’m a selfish bastard for even asking these things, really. David Foster Wallace didn’t owe me anything after Infinite Jest — didn’t even “owe” me that — and if Tim Minchin never writes or performs another thing, Ready for This? is plenty.
One of the most unexpected gifts on the CD is the last full song. Titled “White Wine in the Sun,” it’s a straight, simple, moving anthem of the humanist heart — more powerful than any other musical expression of its kind that I’ve heard. And I want it played at my funeral — live would be nice — after which, and only after which, Tim Minchin has permission to die.
Download “Ready for This?” from Amazon
(Note to my brothers: You’re getting a copy for Krismas, so don’t click.)